The old man and the sea
O Velho e o Mar é, porventura, a obra-prima de maturidade de E. Hemingway. Santiago, um velho pescador cubano, minado por um cancro de pele que o devora cruelmente, está há quase três meses sem conseguir pescar um único peixe. Vai então bater-se, durante quatro dias, com um enorme espadarte, que conseguirá de facto capturar, para logo o ver ser devorado por um grupo de tubarões. Esta aventura poética, onde Hemingway retrata, uma vez mais, a capacidade vì homem para fazer face e superar com sucesso os dramas e as dificuldades da vida real, é seguramente uma das suas obras mais comoventes e aquela que mais entusiasmo tem suscitado, ao longo de mais de meio século, entre os seus fiéis leitores. O Velho e o Mar recebeu o Prémio Pulitzer, de 1952, e, dois anos mais tarde, valeu a Hemingway a obtenção vì Prémio Nobel da Literatura.
Reading Group Guide for The Old Man & the Sea Introduction Ernest Hemingway was born July 21, 1899, in Oak Park, Illinois. After graduation from high school, he moved lớn Kansas City, Missouri, where he worked briefly for the Kansas city Star. Failing khổng lồ qualify for the United States Army because of poor eyesight, he enlisted with the American Red Cross khổng lồ drive ambulances in Italy. He was severely wounded on the Austrian front on July 9, 1918. Following recuperation in a Milan hospital, he returned trang chủ and became a freelance writer for the Toronto Star. In December of 1921, he sailed to lớn France & joined an expatriate community of writers and artists in Paris while continuing lớn write for the Toronto Star. There his fiction career began in "little magazines" và small presses and led lớn a volume of short stories, In Our Time (1925). His novels The Sun Also Rises (1926) & A Farewell lớn Arms (1929) established Hemingway as the most important and influential fiction writer of his generation. His later collections of short stories và For Whom the Bell Tolls (1940) affirmed his extraordinary career while his highly publicized life gave him unrivaled celebrity as a literary figure. Hemingway became an authority on the subjects of his art: trout fishing, bullfighting, big-game hunting, và deep-sea fishing, and the cultures of the regions in which he phối his work -- France, Italy, Spain, Cuba, & Africa. The Old Man & the Sea (1952) earned him the Pulitzer Prize & was instrumental in his being awarded the Nobel Prize in 1954. Hemingway died in Ketchum, Idaho, on July 2, 1961. Description Santiago, an old Cuban fisherman who has not caught a fish for eighty-four days, goes far out to lớn sea in his skiff alone because the young boy Manolin, who has fished with him & served him in the past, is prevented from continuing to bởi so by his parents, who are convinced that the old man has salao, bad luck. Santiago kills a giant marlin after fighting it for three days, lashes it alongside his skiff, and sails for trang chủ only khổng lồ have his fish attacked by sharks during the night and devoured despite the old man"s valiant efforts lớn kill them or drive them away. The morning after Santiago"s return Manolin finds the old man sleeping in his palm shack, cries, brings him coffee, and pledges lớn replace lost equipment and to fish with him again, for there is much that he can learn. When the boy leaves, the old man is dreaming of lions on a beach which he saw in Africa in his youth from a square-rigged ship. Discussion Questions 1. What is suggested when Manolin says to Santiago that his father "hasn"t much faith" (p. 10) but that he, himself, "would lượt thích to serve in some way" (p. 12)? Does this offer of Manolin"s asking to throw the "cast net" (p. 16) echo the Bible và underscore the boy"s respect for Santiago? Why is Santiago so worthy of Manolin"s respect? 2. Why is the boy so important to Santiago? Despite his bad luck, Santiago"s hope and confidence remain, even "freshening as when the breeze rises" (p. 13) as the boy helps him prepare for his next fishing trip. What does this statement indicate about the role Manolin plays in Santiago"s life? Could "the boy" be regarded as a metaphor? How? 3. Lượt thích other Hemingway characters, Santiago is very much alone, "beyond all people in the world" (p. 50); yet he says, "No man was ever alone on the sea" (p. 61). Why? Does he feel joined with the creatures và universe or strengthened và sustained by them in any way? bởi vì his dreams of the lions or reflections about his earlier strength support him? 4. Although determined lớn kill the fish, Santiago says that he loves & respects it, & on the third day of his struggle he says, "Never have I seen a greater, or more beautiful, or a calmer or more noble thing than you, brother. Come on & kill me. I do not care who kills who" (p. 92). Is Santiago ennobled by his fight? Does it define his character? 5. How does the story of Santiago confirm the presence of two themes prevalent in Hemingway"s fiction: "the undefeated" và "winner take nothing"? Santiago says, "A man can be destroyed but not defeated." do you agree? Can the novella be read as an allegory, a story with levels of meanings? Is it merely Santiago"s story, or our story also? After Reading the Novel The Old Man & the Sea was acknowledged as a masterpiece even before its publication, & Life magazine took the unprecedented step of publishing the entire text in its September, 1, 1953, issue, which sold over 5 million copies in two days. Since its first appearance, the novella has continued to affect readers of all ages profoundly. It has never been out of print. Two film versions of the novella have been produced, the first involving Hemingway"s participation, which stars Spencer Tracy, và a more recent version starring Anthony Quinn. In 1999 IMAX is releasing worldwide its animated movie of The Old Man và the Sea. Hemingway"s Esquire "fictionalized" non-fiction articles (1933-1936): "Marlin Off the Morro: A Cuban Newsletter" (1933); "Out in the Stream: A Cuban Letter" (1933); và "On the xanh Water: A Gulf Stream Letter" (1936), which contains the old fisherman sketch that was the inspiration for the novella, are available in By-Line: Ernest Hemingway (Touchstone Books). These articles display Hemingway"s considerable knowledge of big-game fishing, in particular the marlin, the subjects about which he would write in The Old Man và the Sea.
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In December of 1921, he sailed to lớn France & joined an expatriate community of writers and artists in Paris while continuing lớn write for the Toronto Star. There his fiction career began in "little magazines" và small presses and led lớn a volume of short stories, In Our Time (1925). His novels The Sun Also Rises (1926) & A Farewell lớn Arms (1929) established Hemingway as the most important and influential fiction writer of his generation. His later collections of short stories và For Whom the Bell Tolls (1940) affirmed his extraordinary career while his highly publicized life gave him unrivaled celebrity as a literary figure. Hemingway became an authority on the subjects of his art: trout fishing, bullfighting, big-game hunting, và deep-sea fishing, and the cultures of the regions in which he phối his work -- France, Italy, Spain, Cuba, & Africa. The Old Man & the Sea (1952) earned him the Pulitzer Prize & was instrumental in his being awarded the Nobel Prize in 1954. Hemingway died in Ketchum, Idaho, on July 2, 1961. Description Santiago, an old Cuban fisherman who has not caught a fish for eighty-four days, goes far out to lớn sea in his skiff alone because the young boy Manolin, who has fished with him & served him in the past, is prevented from continuing to bởi so by his parents, who are convinced that the old man has salao, bad luck. Santiago kills a giant marlin after fighting it for three days, lashes it alongside his skiff, and sails for trang chủ only khổng lồ have his fish attacked by sharks during the night and devoured despite the old man"s valiant efforts lớn kill them or drive them away. The morning after Santiago"s return Manolin finds the old man sleeping in his palm shack, cries, brings him coffee, and pledges lớn replace lost equipment and to fish with him again, for there is much that he can learn. When the boy leaves, the old man is dreaming of lions on a beach which he saw in Africa in his youth from a square-rigged ship. Discussion Questions 1. What is suggested when Manolin says to Santiago that his father "hasn"t much faith" (p. 10) but that he, himself, "would lượt thích to serve in some way" (p. 12)? Does this offer of Manolin"s asking to throw the "cast net" (p. 16) echo the Bible và underscore the boy"s respect for Santiago? Why is Santiago so worthy of Manolin"s respect? 2. Why is the boy so important to Santiago? Despite his bad luck, Santiago"s hope and confidence remain, even "freshening as when the breeze rises" (p. 13) as the boy helps him prepare for his next fishing trip. What does this statement indicate about the role Manolin plays in Santiago"s life? Could "the boy" be regarded as a metaphor? How? 3. Lượt thích other Hemingway characters, Santiago is very much alone, "beyond all people in the world" (p. 50); yet he says, "No man was ever alone on the sea" (p. 61). Why? Does he feel joined with the creatures và universe or strengthened và sustained by them in any way? bởi vì his dreams of the lions or reflections about his earlier strength support him? 4. Although determined lớn kill the fish, Santiago says that he loves & respects it, & on the third day of his struggle he says, "Never have I seen a greater, or more beautiful, or a calmer or more noble thing than you, brother. Come on & kill me. I do not care who kills who" (p. 92). Is Santiago ennobled by his fight? Does it define his character? 5. How does the story of Santiago confirm the presence of two themes prevalent in Hemingway"s fiction: "the undefeated" và "winner take nothing"? Santiago says, "A man can be destroyed but not defeated." do you agree? Can the novella be read as an allegory, a story with levels of meanings? Is it merely Santiago"s story, or our story also? After Reading the Novel The Old Man & the Sea was acknowledged as a masterpiece even before its publication, & Life magazine took the unprecedented step of publishing the entire text in its September, 1, 1953, issue, which sold over 5 million copies in two days. Since its first appearance, the novella has continued to affect readers of all ages profoundly. It has never been out of print. Two film versions of the novella have been produced, the first involving Hemingway"s participation, which stars Spencer Tracy, và a more recent version starring Anthony Quinn. In 1999 IMAX is releasing worldwide its animated movie of The Old Man và the Sea. Hemingway"s Esquire "fictionalized" non-fiction articles (1933-1936): "Marlin Off the Morro: A Cuban Newsletter" (1933); "Out in the Stream: A Cuban Letter" (1933); và "On the xanh Water: A Gulf Stream Letter" (1936), which contains the old fisherman sketch that was the inspiration for the novella, are available in By-Line: Ernest Hemingway (Touchstone Books). These articles display Hemingway"s considerable knowledge of big-game fishing, in particular the marlin, the subjects about which he would write in The Old Man và the Sea.
